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THE POLITICS OF POP CULTUREThe Eye Of The Beholder - McCain and the Greenberg Photos
Posted September 16th, 2008 in Activism, All, Arts, Celebrities, Commentary, Entertainment, Entertainment News, Expanding the concept of "Art", Legal, Politics and Take a look...
The field of politics has been referred to as “the art of the possible,” but what place does art truly hold in politics (or vice versa)? While many artists would say that art should transcend - or at least be divorced from - politics, photographer Jill Greenberg seems to think otherwise. Greenberg, who exhibits her work on her webpage manipulator.com, made a very strong and very public statement about her latest subject, Republican presidential nominee John McCain, through her photography. Greenberg’s work has come under fire since one of her photos served as the cover for the latest issue of The Atlantic magazine. Greenberg was contracted to photograph McCain for the publication, but her website displays further photographs of McCain which are edited to literally look like something out of a horror movie. Perhaps even more provocative than the visual editing are the photograph captions, which read, consecutively:
Darkness is only driven out with light, not more darkness.” - Dr. Martin Luther King, Jr.*
*mccain voted against mlk day
It was really fun to cheat on my car-injury-disabled first wife.
and
I called my wife a cunt in front of reporters.
While the shock value of the photos is obvious, their place in contemporary American politics, not to mention the art world, is unclear. While politically motivated blue-state activists might consider the photographs to be visionary, one cannot help but wonder what Greenberg hopes to accomplish by displaying them. At the same time, although media-minded red-state activists have decried the photographs as “sarcastic” at best, Greenberg certainly cannot be accused of dishonesty when it comes to her political assessments. The Canadian born artist makes no bones about her liberal political tendencies, nor is this the first time her professionalism has been questioned. Slate notes that her series of photographs entitled “End Times,” which showed toddlers in the midst of tantrums, gained international notoriety as her methods were questioned and labeled abusive by some critics. Greenberg did not hesitate to answer the criticism with contextual remarks which, in retrospect, may have provided a preview of the current controversy:
They’re not meant to be read as mere baby pictures; they’re meant to be a statement. As Greenberg herself explains in the gallery’s press release, “The first little boy I shot, Liam, suddenly became hysterically upset. It reminded me of helplessness and anger I feel about our current political and social situation.” “As a parent,” she continues, “I have to reckon with the knowledge that our children will suffer for the mistakes our government is making. Their pain is a precursor of what is to come.”
The controversy over the McCain photographs will likely spin further out of control before it settles; Greenberg has already been dropped by her agent in retribution for the series, and re-signed with a previous agency. This is despite the fact that her photographs have graced the covers of national periodicals such as Time Magazine, Newsweek, and TV Guide. And since controversy is hardly a detractor when it comes to media coverage, it seems likely that her career will not suffer from the series in the long run. But it remains to be seen whether Greenberg’s honesty is really her best policy; the Atlantic has stated publicly that it may file charges against her despite using one of the photographs from the series on its cover. Her journalistic integrity, if she had any, is likely now permanently kaput. On the other hand enthusiasts note that art is not journalism, and as super-activist and singer Bono says, “It is the artist’s job to define the problem.” Clearly Greenberg feels that right-wing politics are the problem; but her work may ultimately backfire on her. It engenders a certain amount of sympathy for McCain and illustrates nothing so well as the divisiveness and single-mindedness of the blue state/red state controversy… and in the end we may decide that’s the real enemy.
Hands Across America for Ed Hochuli
Posted September 16th, 2008 in All, Celebrities, Commentary, Entertainment, Sports and TV Moment of the WeakMedia hound and NFL referee Ed Hochuli poses for a local paper.
While we’re on the subject of football, let’s take a moment and bow our heads in remembrance of Ed Hochuli’s usual ball-busting bluster while he mutates into a whiny little figurehead demanding sympathy before our very eyes. Ed Hochuli, the man with guns of pure titanium who is constantly referred to - for reasons I’ll never understand - as the NFL’s best referee blew a gigantic and arguably game-deciding call during last weekend’s game between the San Diego Chargers and the Denver Broncos.
Now I’ve already gone on record as saying that no one needs a flashy referee, but let’s be honest. If any other ref had made the same mistake, would the entire NFL Referee Association have issued a press release about what a great guy he is? Why shouldn’t the NFL’s least deserving attention whore get a taste of his own whistle after such a colossal blunder? Ed will tell you why. Because what those refs do is hard. It’s really haaaard-duh! They have to take tests and everything! Ed even went on ESPN to bemoan the travails of having one’s performance taped and then reviewed by his boss, asking “how many” people are exposed to such scrutiny? Uh, that would be most of us Ed. But it shocks no one here at the Basement to hear that you think you’re the only guy in the world who has accountability on the job. After all, what are those massive arm muscles for, if not to hold the whole world on your own shoulders?
Awesomely Stupid Fumble
Posted September 16th, 2008 in All, Celebrities, Entertainment, Sports and TV Moment of the Weak
Hubris: (a) a term used in modern English to indicate overweening pride, self-confidence, superciliousness, or arrogance, often resulting in fatal retribution.
(b) DeSean Jackson
DeSean Jackson’s obnoxiously stupid fumble in last night’s showdown between the Dallas Cowboys and the Philadelphia Eagles actually shook me out of my hurricane season malaise enough to make me want to blog again. Thanks DeSean. (BTW-the Phillies lost).
Notes on a New Orleans from a Gustav Evacuee
Posted August 29th, 2008 in Activism, All, Books, Inside New Orleans, News You Cannot Use, Politics, Sports and Take a look...Nothing says NEW ORLEANS like the crossroads of adversity and humor;
A house in the Uptown District of New Orleans posts a “No Wake” sign on the second story to prepare for hurricane flooding.
For Gustav, we have The Cone. The 5-day cone, the 3-day cone, the cone of anxiety!
I know the storm is imminent when the house up the street posts the sign. So here we go.
I’d say here we go again, but I wasn’t actually around for Hurricane Katrina. We moved to New Orleans almost exactly a year after that fateful storm passed through. A lot of people asked us: “Why would you want to go there?” It is a reasonable question. After all, the entire country watched as this city struggled and drowned. As the government later opined, “mistakes were made.” But New Orleans is in our family’s history, which means it is also in our blood. We wanted to come here for the simple reason of solidarity; we couldn’t bear to watch from afar, we had to come back. You see, the national news covered the storm, and it covered the devastation that followed. What it didn’t cover was the Rebirth. Unless you’re a New Orleanian or a serious Saints fan, you probably weren’t a part of the overwhelming spirit of a community that simply could not call any place else “home.”
We flatter ourselves that we have been a part of the Rebirth efforts here, which is what makes this new storm Gustav sting so badly. We want to stay. If you’ve never seen an entire city in the throws of post-traumatic stress disorder, maybe you don’t understand. Maybe all you see is an industrial center or a port. Maybe all you see is a city which has one of the highest poverty rates in the nation. Maybe all you see is boarded up windows and low-lying streets, just waiting to be flooded. But if so, New Orleans is more than what you see. Today I saw families boarding up windows. Today I saw people buying canned fish and batteries. But today, I also saw a young man pasting the only bumper sticker on his new car - a sticker that simply said “New Orleans.”
More than any place I have ever experienced, New Orleans is a community. It is a city where the words “friend” and “neighbor” mean something more than their dictionary definitions. It is a city where the word “porch” is a verb. It is the kind of city that could birth an entire musical genre (we’re talkin’ ’bout Jazz) out of sheer tenacity and strength of spirit, and probably no small amount of red wine. It is a city that gets into your soul, makes a nest, and settles down for the long haul. To us, it is home in every sense of the word.
Tomorrow, I will have to leave my home (Chris Rose leaves when Nash leaves*, I leave when the Saints leave). I will pack my family and my pets in a car, and drive to Kentucky where our nearest family members wait to literally shelter us from the storm (the nearest vacant hotels are in northern Arkansas anyway). We will drive all night, and we will arrive alive and safe. We will leave our home behind, and if Gustav does its worst, our home will flood, and struggle, and maybe drown once again. But there will be no dead in our attic, no need for the National Guard to paint an ugly number on our wall. We’ll head out, so that we can come back all the sooner.
Being a New Orleanian is kind of like being a pet person - either you get it or you don’t. If you do, I - we - want to say “Thank You.” Thank you to all the people in all the states who are preparing to help out our worst case scenario. Thank you to everyone who isn’t leaving it up to President Bush or FEMA to pull us through. Thank you for your care, your consideration, your generosity, and your help. But most of all, Thank You for understanding. We love our home, and no matter what Gustav or any other storm brings, we’re prepared to return. So tonight, as we’re clearing out our freezers and filling up our gas tank, we will eat our perishable foods, and we will drink our non-perishable wines, because this is New Orleans. We live it. We love it. And no matter what happens, we can’t wait to come home.
*Chris Rose never leaves.
When Saints Attack
Posted August 27th, 2008 in All, Entertainment and SportsThe New Orleans Saints defense took on Carson Palmer’s nose during last Saturday’s pre-season game.
Palmer is not planning to play this week.
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